Most of the issues come in the form of Hong-jin’s overly complicated story that tries to do more than it should. While there’s a lot to like, The Medium” does fall short somewhat. The final exorcism itself, a massive outpouring of dark magic rituals and ceremonial preparations that take place in several fine scenarios throughout here, are chilling and somewhat shocking to witness, making for a highly effective and enjoyable effort.
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The attempts at using Nim’s own powers as a means of controlling and figuring out what’s going on have a fine localized flair that involves several rituals and the realization that they’ve been deceived all along, the race to uncover the truth about what’s possessing Mink and free her from its grasp results in some fascinating ritualistic work. Once Mink’s condition has been revealed and the outbursts turn violent including the shower attack or the beatdown with the video camera during a ritual ceremony, it all leads to a far more intense and suspenseful second half.
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Having gathered a series of clues not just from those behavioral changes and outbursts but also much more in the wake of how we’re told they came together leading to that conclusion, the tension and action ramp up considerably. Once the setup is in place, “The Medium” provides a lot of fun with the realization that Nim has to use her powers to help the possessed Mink. Given that all of this is shot like a found-footage effort by the documentary crew following Nim, the psychic brings a real-world approach that’s not oversensationalized or grandiose which helps the film tremendously. These come from the behavioral shifts ranging from sudden quietness to overtly flirtatious and outgoing, defensive attitudes about strangely impersonal objects and the discomfort felt around the family. By understanding that connection this clearly, the later focus on the family members who are suddenly coming under attack by the various supernatural maladies on Min. Since the initial introduction here is on Nim’s abilities and spiritual connection to the Gods of the area and how she treats those who need it, there’s a fantastic understanding of how strong her connection to that realm is.
“ The Medium” benefits the most by writer Na Hong-jin’s setup, offering the kind of real-world grounding required for a story like this one. As time goes by, they come to realize that she has become possessed by a force outside of their experience and will require more than they expected to resolve the situation and restore order to their community. As they watch her go about her business tending to the ill residents of the area or other special requests they may have, they also manage to focus on the strained relationship Nim has with Noy ( Sirani Yankittikan) her sister who’s worried about Mink, ( Narilya Gulmongkolpech) her oldest daughter. After a special search throughout Thailand, psychic medium Nim ( Sawanee Utoomma) is chosen by a special film crew to be followed around and have her work documented.
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